EMILY SWIFT-JONES
Coalescence
Dynamic, liquid spatters and swirling tendrils of molten metal set against brooding tones.
Poured silver with antique glazes and 22 carat moon gold with embedded freshwater baroque pearls on a teal and dark blue background . 90cm x 77cm
freshwater baroque pearl crustacean
The first of it's kind. A poured band gilded with silver leaf and patinated on a background of grey and indigo with plum and brown-black glazes. 80cm H x 60cm W
My first Blue Steel Coalescence in Situ. Photograph courtesy of The Katharine Pooley Deisgn Studio
photograph reproduced by kind permission of the owner
1500cm x 100cm
150cm x 100cm
150cm x 100cm
a lot of the gold tones you see are produced using glazes over 12 carat silver leaf, but gold leaf is also used to give different gold tones
detail of antiqued silver leaf texture
A large format triptych version of this style. Each panel is 160cm x 160cm
150cm x 100cm
with gold 22 carat gold leaf over the silver leaf background 150cm x 100cm
150cm x 100cm
150cm x 100cm
A silver leaf background with blue metallic band and raised silver design laid over that. An ombre antique glaze was added to the top and bottom. 180cm W x 110cm H
Deeper and more more dramatic smokey tones on this piece 160cm x 160cm
showing the high relief of the textures involved
In Situ in the Sofa and Chair company showroom
Created as a pair to deplayed in the same room. Gold Metel leaf with bronze glazes over brooding indigo glazes 150cm W x 100cm H
Gold metal leaf with antique bronze patinas over a cloudy indigo blue background 150cm x 100cm
Gold metal leaf and antique bronze glazes over a deep cloudy teal background 120cm x 120cm
Antique silver trails across deep indigo blues and deep plum tones 230cm H x 150cm W
An autumnal colour palette of greys, rust, caramel and black with moon gold and silver leaf details and a fine spiders web cracked varnish in a floating black frame 130cm H x 100cm W
A larger format version of this piece at 250cm W x 200cm H
aubergine and paynes grey with cerise touches and silver and moon gold leaf details 150cm W x 100cm H
aubergine and paynes grey with cerise touches and silver and moon gold leaf details 150cm W x 100cm H
A diptych with embedded fresh water baroque pearls with green and teal background and bornzed moon gold leaf raised texture. Each Panel is 60cm H x 40cm W
Antique gold boldly flows across the canvas with inky blues left in its wake 40cm w x 125cm H
Above Men
Subtle textures and patinated silver leaf with a smokey ombre glaze mixed to co-ordinate and compliment the tones of your interior.
Triptych. Each panel 120cm H x 75cm W
showing the relief from the side
the raised silver texture fading out over the surface
rippled organic texture which fades as it progresses across the 3 panels
A single large panel with a mixture of silver, gold and antique gold patina with a smokey haze rising from the bottom 230cm H x 150cm W
with an antique bronze background and misty pale washes
with a mixture of gold and silver metal leaf
Reflections
A horizontally rippled texture with a blue black background fading into hazy white. Patinated and bright silver leaf distressed to show the background with black and white high and low lights.
120cm W x 80cm H
This painting combines different elements from my organic rippled texture used in River City,Reflections and Urban Wetlands with soft greys, stone colours and gold leaf over a white background 150cm H x 110cm W
180cm x 120cm
Framed with a black floating surround and installed in the penthouse suite designed by the Peter Staunton Design Studio
showing the chemically patinated silver leaf
showing the underlying rippled texture and undercoat of blue-black
180cm x 120cm
patinated silver leaf over a rippled texture
Rippled Inky blues with 22 carat gold leaf distressed to reveal the colour and texture beneath 180cm W x 100cmH
Bright blue ripples with 22 carat gold distressed to reveal the colours beneath and an antique bronze mist. 120cm W x 100cmH
Photography by Colin Poole for 25 Beautiful Homes
This piece commission by Tobias Oliver Interiors really pushed my studio to the limits. I had to disassemble a storage area to fit it in. 375cm W x 200cm H
I sent my client pictures showing the progress of this piece and they liked the shadows cast on the top and bottom so much that we incorporated them into the finished piece (see next image)
with the "shadows" recreated using an umber glaze
show how the chemical patination can bring out gold and rich siennas on silver leaf
Deep russet chemical patination on silver leaf
Argentous
Metal leaf over subtle textures with patination and hazy glazes. Inspired by aerial and spacebourne photography
The first of this series. Silver leaf background with chemical patination, antique gunmetal glazes and gold
Silver leaf background with chemical patination, antique gunmetal glazes, gold leaf and green verdigris patina. 200cm W x 160cm H
A textured gold background with verdigris and bronze patinas and 22 carat gold "birds" migrating home 120 cm W x 100 cm H
A textured gold background with verdigris and bronze patinas and 22 carat gold "birds" migrating home 120 cm W x 100 cm H
Silver leaf background with chemical patination, antique gunmetal glazes, gold leaf and turquoise patina. 1600cm W x 90cm H
a gold background with smokey black, grey and white hazing and 22 carat gold highlights 70cm x 70cm
Silver and caplain leaf background with moon gold details and white powdery patina 140cm H x 90cm W
Part of my original exclusive collection for The Sofa and Chair Company. Patinated silver leaf on a lightly textured background with burnt umber and burnt sienna patina 150cmW x 100cm
Part of my original exclusive collection for The Sofa and Chair Company. Patinated silver leaf on a lightly textured background with burnt umber and burnt sienna patina 150cmW x 100cm H
Part of my original exclusive collection for The Sofa and Chair Company. Patinated silver leaf on a lightly textured background with burnt umber patina 120cmW x 100cm H
Part of my original exclusive collection for The Sofa and Chair Company. Patinated silver leaf on a lightly textured background with burnt umber patina 120cmW x 100cm H
O
Inspired by the zen practice of Ensō where the artist freely or paints a circle. These poured plaster and gilded pieces represent uninhibited creation.
Patinated silver leaf. Yes it really is silver! This is one of the methods which was used to imitate gold leaf. 70cm x 70cm
A golden hue is given to the silver leaf with chemicals. 70cm x 70cm
Chemically Patinated silver leaf with a polished agate slice, freshwater baroque pearls and quartz stalactite crystals 70cm x 70cm
Patinated silver leaf, bronzed leaf, freshwater pearls, quartz stalactite slices and an agate slice with smokey greys on a stone texture background 80cm x 80cm
Split Pyrite
Pyrite "sun" disks form the inspiration here. The original pieces had a central disk with texture radiating outwards over a backdrop of luxurious venetian polished plaster. My recent pieces have used a cast "sun disc" because this form of pyrite is found in only one place - the Sparta mine in Illinois, U.S.A which has now closed
Each panel is 120cm H x 60cm W
Katz Ltd, the trail blazing luxury interior design company based in Latvia chose several of my pieces for their relaxed and elegant Belgravia project. Many thanks to Stan Katz for introducing me to their chosen photographer Simon Eldon who kindly gave me permission to use his fabulous photographs https://www.simoneldon.co.uk/
Each panel is 120cm H x 60cm W
Each panel is 120cm H x 60cm W
Each panel is 120cm H x 60cm W
Firestick Mosaic
Textured metal leaf overlaidd with rich glazes and patination create an organic and antediluvian vista. Inspired by a a method of grass burning employed by the aboriginal people of Australia which regenerated growth whilst limiting the progress of naturally occuring bush fires
100cm W x 80cm H
This piece used a background of deep reds to represent the colour of armenian bole clay used in traditional gilded frames and furniture. 22 carat gold is used over the top and rubbed through to reveal the colour beneath. 180cm W x 120cm H
This piece used a background of black to represent the colour of armenian bole clay used in traditional gilded frames and furniture. 22 carat gold is used over the top and rubbed through to reveal the colour beneath with palladium leaf highlights. 80cm W x 50cm H
