Urban Wetlands
Texture and Paint with a glint of gold or silver leaf conspire to weave an imposing visual narrative.
Urban Wetlands At Dusk I
This was the first of it's kind and only 45 cm w x 30cm H. The following commission was 300cm W x 210cm H!An Unlikely Matrix triptych
Unfortunately the original painting purchased for this project was too large to navigate into the apartment so the designer had it printed at high resolution onto three panels and reassembled in situ. The owner has both a one off print AND the original piece to enjoy. Many thanks to Stan Katz and photographer Simon Eldon https://www.simoneldon.co.uk/Urban Wetlands at Dusk II
The first big canvas I created for The Sofa and Chair company 300cm W x 210cm HUrban Wetlands II (Detail)
many layers of glaze and paint over a horizontally rippled surfaceUrban Wetlands at Dusk III
I remember being asked "How will you make sure they are all the same?" and I realised very quickly that the point is that they are all unique and change according to so many variablesUrban Wetlands IV
This piece is often used as a backdrop for glamerous promotional shot by The Sofa and Chair companyUrban Wetlands VI b
Displayed in the showroom of The Sofa and Chair companyUrban Wetlands VI c
with thanks to Alessandro de Besi for use of his beautiful photographsUrban Wetlands VIII
Urban Wetlands IX
a smaller version at 1800cm W x 1200cm HUrban Wetlands XII
Urban Wetlands XIV (In Situ)
with a gloss floating frameUrban Wetlands XVII
This piece incorporated soft blues and bronzes taken from the interior furnishingsUrban Wetlands at Dusk in Situ
Commissioned by Diaz Interiors to compliment their colour scheme in this London residenceUrban Wetlands XXI
Urban Wetlands with Teal
Urban Wetlands with Teal (Detail 01)
Urban Wetlands at Dusk Triptych
This triptych was designed for the entrance lobby of a newly refurbished central London office buildingUrban Wetlands Nocturn (Detail01)
Urban Wetlands Nocturn (Detail02)
Urban Wetlands XXII
Urban Wetlands at Dusk promotion shot
Photograph by Alessandro de BesiShow More
Summer Grasslands
Pearlescent and polished plasters form multilayered yet light imagery.
Summer Heathland I
Summer Heathland I (Detail 01) I
Summer Wetland Detail 01
Summer Wetland Detail 03
Summer Heathlands III
The Lavender Fields
This dining room diptych has a pearlescent background using @Perlata paint and details in silver and damson metallics. Interior design and styling. Many thanks to interior designer Sarah Mailer ...it was a lovely project to work on and the design meetings with the client were so enjoyable.The Lavender Fields Diptych
For Sarah Mailer DesignSummer Grasslands (Detail 02)
Summer Wetlands (Detail 01)
Adding small red details which will be gilded in gold. The red helps me to find all of those tiny details and enriches the colour of the gold200cm W x 110cm H
Summer Wetlands in Paynes Grey
with a taupe polished plaster background and flora in grey, paynes grey and blue with silver metallic highlights and added gold leaf detailsSummer Wetlands in Turquoise
Summer Heath in Bloom
This is the 2nd piece Sarah Mailer commissioned for this comfortable and glamerous residential projectSummer Heath in Bloom (Detail)
showing the layers of glaze, paint and palladium leafShow More
Broken Bridge
Abstract landscapes create wide open vistas of endless scope. Inspired by the wide open Lincolnshire landscapes of my childhood.
Broken Bridge I
My first imaginary landscape inspired by the open space and endless skies I enjoyed in my Lincolnshire and RutlandThe Lux deco Decorex stand 2017
Thanks to Laura Hammett Interiors for the Instagram shot taken from the stand during the showHarvest I Part 1
This piece was commissioned by Luxdeco for their stand at Decorex. It incorporates many of the colours used in this relaxed room scheme.Harvest I Part 2
This piece was commissioned by Luxdeco for their stand at Decorex.Becoming a diptych
The new owner of "Harvest" wanted to expand the piece in her room so I took back the original to work from and created a 2nd piece to expand the view. With bespoke frames painted in a complimentary taupe finishBroken Bridge II
Broken Bridge III
Rutland Water
A triptych on polished plaster with subtle neutral tones and shimmering golds. 3 Panels 30cm W x 90cm HShow More
Waters Edge
Juddering texture and deep bronze and blacks create gritty abstract vistas. Inspired by Rutland Water
Still Waters
Inspired by Rutland waterStill Waters II
Inspired by Rutland WaterShow More
Wetlands At Night
plasters and pigments fuse in a nocturnal take on the wetland theme
Wetland at Night I
My first experiment using polished plaster as a base for artwork involving bladed pearlescent glazesWetland at Night II b
Wetland at Night II b
Wetland at Night II (In Situ)
in situ. This was part of my original exclusive collection for The Sofa and Chair CompanyShow More
Tundra
Icy tones and crisp textures lend a cooling air to interiors.
Frozen Tundra I
Blush Pink, grey and mink glazes with misty white and silver leaf touches 300cm W x 210cmHCreated for The Sofa and Chair Company's pop up shop on Kings Road
Frozen Tundra II
Frozen Tundra II in Situ
On display at the Sofa and Chair Company's showroomShow More
Dark Moods
Brooding and mysterious these layered pieces add subtle drama to a room.
Black Mood
Black, grey and bronze metallic glaze over a rippled surfaceDark Thoughts
The subtlest surface texture catches antique glazes. This is a refined and subtle finishShow More